ARTISTS from LEBANON - Donation Claude & France Lemand.

From 14 May to 31 August - Galerie Claude Lemand

  • Etel Adnan, Landscape.

    Landscape, 2014. Oil on canvas, 32 x 41 cm. Donation Claude & France Lemand. Museum, Institut du monde arabe, Paris. © The Estate of Etel Adnan. Courtesy Galerie Claude Lemand, Paris.

  • DARGHOUTH, Olive tree.

    Olive tree, 2020. Acrylic on canvas, 200 x 200 cm. Donation Claude & France Lemand. Museum, Institut du monde arabe, Paris. © Tagreed Darghouth. Courtesy Galerie Claude Lemand, Paris.

  • Moazzaz RAWDA, Woman 1.

    Woman 1, ca 1960. Original wooden sculpture, 173 x 70 x 24 cm. Gift of Suhail Boulos - Donation Claude & France Lemand. Museum, Institut du monde arabe, Paris. © Moazzaz Rawda Estate. Courtesy Galerie Claude Lemand, Paris.

  • Simone FATTAL, Cry oh my beloved country.

    Cry, oh my beloved country, 2021. Sculpture in enamelled stoneware, 30 x 30 x 95 cm. Donation Claude & France Lemand. Musée, Institut du monde arabe, Paris. © Simone Fattal. Courtesy Galerie Claude Lemand, Paris.

  • SOUBRA, Ombre et lumière.

    Ombre et lumière, 1980. Acrylic on paper, 48 x 66,5 cm. Donation Claude & France Lemand. Museum, Institut du monde arabe, Paris. © Oumaya Alieh Soubra Estate. Courtesy Galerie Claude Lemand, Paris.

  • SAIKALI, Metamorphoses.

    Métamorphoses, 1986. Diptych. Oil on canvas, 195 x 260 cm. Donation Claude & France Lemand. Museum, Institut du monde arabe, Paris. © Nadia Saikali. Courtesy Galerie Claude Lemand, Paris.

  • GHORAYEB, The Maternity.

    The Maternity, 2017. Indian ink on canvas, 150 x 100 cm. Donation Claude & France Lemand. Museum, Institut du monde arabe, Paris. © Laure Ghorayeb Estate. Courtesy Galerie Claude Lemand, Paris.

58 ARTISTS from LEBANON - Donation Claude & France Lemand

- Shafic ABBOUD (Liban, 1926 - France, 2004)
- Azza ABO REBIEH (Syrie, 1980 - Liban)
- Sara ABOU MRAD (Liban, 1988 - France)
- Etel ADNAN (Liban, 1925 - USA-France, 2021)
- ADONIS (Syrie, 1930 - Liban, France)
- Anas ALBRAEHE (Syrie, 1991 - Liban-France)
- Abed ALKADIRI (Liban, 1984 - France-Liban)
- Farid AOUAD (Liban, 1924 - France, 1982)
- ASSADOUR (Liban, 1943 - France)
- Zena ASSI (Liban, 1974 - Royaume-Uni)
- Philippe AUDI-DOR (Suisse, 1989 - Liban-France)
- Ayman BAALBAKI (Liban, 1975)
- Amin EL-BACHA (Liban, 1932-2019)
- Nader BAHSOUN (Liban, 1995)
- Serwan BARAN (Iraq, 1968 - Liban-Egypte)
- Anachar BASBOUS (Liban, 1969)
- Michel BASBOUS (Liban, 1921-1981)
- Sara CHAAR (USA, 1986 - Liban-France)
- Ali CHAMS (Liban, 1943-2019)
- Chaouki CHOUKINI (Liban, 1946 - France)
- Tagreed DARGHOUTH (Liban, 1979)
- Ieva Saudargaité DOUAIHI (Ukraine, 1988 - Liban)
- Fatima ELHAJJ (Liban, 1953 - France)
- Joseph ELHOURANY (Liban, 1976)
- Tarek ELKASSOUF (Liban, 1985 - Australie)
- Mohammad ELRAWAS (Liban, 1951)
- Hala EZZEDDINE (Liban, 1989)
- Simone FATTAL (Syrie, 1942 - Liban-USA-France)
- Sirine FATTOUH (Liban, 1980 - France)
- Laure GHORAYEB (Liban, 1931)
- Elsa GHOUSSOUB (Liban, 19?)
- Marc GUIRAGOSSIAN (Berlin, 1995 - Liban)
- Paul GUIRAGOSSIAN (Palestine-Jérusalem, 1926 - Liban, 1993)
- Souraya HADDAD Credoz (Liban, 1962 - Canada-Istanbul-Liban)
- Yazan HALWANI (Liban, 1993 - Royaume-Uni)
- Hiba KALACHE (Liban, 1972 - USA-Liban)
- Elie KANAAN (Liban, 1926-2009)
- Abderrahman KATANANI (Liban, 1983 - France-Liban)
- Mazen KERBAJ (Liban, 1975 - Berlin)
- Hussein MADI (Liban, 1938-2024)
- Hala MATTA (Liban, 1970 - France)
- Samar MOGHARBEL (Liban, 1958)
- Jamil MOLAEB (Liban, 1948)
- Ribal MOLAEB (Liban, 1988 - Suisse)
- Zad MOULTAKA (Liban, 1967 - France)
- Elias NAFAA (Liban, 1997 - Canada)
- Layal NAKHLE (Côte-d’Ivoire, 1992 - Liban-Espagne)
- Moazzaz RAWDA (Iraq, 1906 - Liban, 1986)
- Nayla ROMANOS ILIYA (Liban, 1961)
- Marwan SAHMARANI (Liban, 1970)
- Nadia SAIKALI (Liban-France, 1936)
- François SARGOLOGO (Liban, 1955 - France)
- Joseph SASSINE (Liban, 1936)
- Oumaya Alieh SOUBRA (Liban, 1926-2024)
- Hanibal SROUJI (Liban, 1957 - Canada-France-Liban)
- Hady SY (Liban, 1964 - France-USA-Liban)
- Khaled TAKRETI (Liban, 1964 - Syrie-France)
- Missak TERZIAN (Liban, 1949 - USA-Liban)
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Claude Lemand. Lights of Lebanon .

By Enlightenment I mean the Lebanese per­son­al­i­ties who made Beirut the city of lights of the Orient, who shone in all eras of its tor­mented his­tory, even if over the decades, the dom­i­nant clans - who only defend their inter­ests - have plunged Lebanon into polit­ical, eco­nomic, finan­cial, social, health and even cul­tural chaos. But Lebanon remains a country from which light shines.

Lights of Lebanon is an exhi­bi­tion of modern and con­tem­po­rary art from cross-border Lebanon. It intends to bear wit­ness to the great cre­ativity of three gen­er­a­tions of artists from Lebanon and its dias­poras, from 1950 to 2021, and to shed light on the orig­i­nality, rich­ness and uni­ver­sality of their cre­ations, through a selec­tion of works by modern and con­tem­po­rary artists from the col­lec­tion of the Museum of the Arab World Institute, which has become excep­tional thanks to the Claude & France Lemand Donation. Lights of Lebanon will allow us to express our sol­i­darity with the Lebanese people and with the world of arts and cul­ture, deeply bruised by such an accu­mu­la­tion of crimes and ordeals, to pay tribute to Beirut, city of light in the Middle East.

This exhi­bi­tion will allow us to bear wit­ness to the lumi­nous face of another Lebanon - a country so dear to the heart of the late Shafic Abboud -, a melting pot of civ­i­liza­tions and cul­tures scat­tered across the five con­ti­nents. This Lebanon, inventor of the mer­chant navy and the alphabet, factor of mil­lennia-old links between peo­ples, cre­ator at the end of the 19th cen­tury of the sec­ular and anti­cler­ical Nahda, this renais­sance of lan­guage, let­ters and polit­ical thought and social life of a new, modern Arab world, freed as much from the yoke of the Ottomans as from the beliefs and pro­hi­bi­tions of reli­gions and scle­rotic and feudal soci­eties. Daughter of the Enlightenment, this Lebanese Nahda was atten­tive to the Eastern and Western world, and its authors, from Lebanon and the dias­poras that appeared after the mas­sacres of 1860 then the Ottoman oppres­sion and the great famine of 1915-1917. The Lebanese Nahda was much more ambi­tious and rev­o­lu­tionary than its sister the Egyptian Nahda, which aimed to reform tra­di­tional Islam, without ques­tioning it as dogma, morality, cult and state reli­gion.

Copyright © Galerie Claude Lemand 2012.

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